During the current COVID 19 pandemic...
...all of my live programs have been rescheduled which leaves me with lots of time on my hands. Rather than sit around an watch old movies all day, (and I love old movies) I am working on a number of new books, short stories, songs and recording projects for the future.
I am available for consultation online or on the phone for anyone who wants to learn songwriting technique, how to publish their book or manuscript, pitching their music or screenplay, pre-production for an upcoming recording project or marketing music to film and TV. During the pandemic, all my consulting services will be free of charge. Simply reach out to me at email@example.com and let me know what you are looking to do.
Once this crisis is over, I'll be heading into the studio to record an old friend, Greg Johns as he records his first new project in over 30 years and other artists and be recording some new songs, so catch me while you can before I get busy again.
Jose Antonio Ponce-A Quick Hit
What a life. Willis Alan Ramsey trashed his hotel shower. Ice T admitted to him that he really didn't like playing a cop. Bob Odenkirk offered him a day old donut and Eva Longoria asked him to teach her the lyrics to Las Manaintas.
A songwriter for forty-five years, Jose began his life in music, performing in clubs and coffeehouses at age 16. When he wasn’t on stage, he had to stand outside to avoid breaking the law. He could work in a bar, he just couldn’t hang there.
At age 17, he sold his first song for $500.00.
At age 18, Jose was hired by legendary concert promoter Bill Graham to “keep people off of the stage” for the summer Jefferson Airplane tour. During off time, he swapped tunes with band members Jack Casaday and Jorma Kaukonen.
In 1975, Jose moved on to road manager for Led Zepplin, setting up and taking down concert venues with one of two sound and lighting crews. He then went to work on the original Outlaw tour with Willie Nelson and Waylon Jennings.
Jose continued to write and sell music and commercial jingles. At age 20, he was introduced to jazz which changed his perspective on music and stopped playing rock and folk to concentrate on jazz and acoustic music. He played jazz bass and guitar in small clubs around the country, introducing himself to jazz masters like Milt Hinton, Ray Brown, Zoot Simms, Peter Appleyard, Lou Soloff, Howard Ellis, Art Pepper, Dexter Gordon and many more. He played with anyone who would have him.
In 1980, he was cast in a TV mini-series when a casting director saw him sitting in a bar in Santa Fe and thought he had the perfect "mean bastard" look. His role? Mexican. He went on to play a Mexican in several other films. His experience spurred Jose to write about the movies for a few national magazines.
In 1986, Jose took a job in radio as an on air personality and later, as a record promoter. In 1988, he volunteered for the newly formed New Mexico Music Industry Coalition, an organization dedicated to the promotion of New Mexico artists, producers, songwriters and engineers. In 2005, he took over the organization as owner and producer and re-christened it the New Mexico Music Awards. In 1990, he joined the national folk group the Windsor Creek Trio and continues to tour with the band as its bassist.
Jose has hundreds of stories from a lifetime in music and film, from breakfast with Brenda Russell to dinner with Barry White. With tons of songs in his repertoire, he can play anything; country, jazz, blues, folk and more. Jose’s shows are entertaining and crowd pleasing.
Jose continues to write and sell his music to national and international artists. You can still see him in the occasional film or TV show. He has written five books and co-produced a number of music documentaries. Through the New Mexico Music Awards, he works to promote New Mexico musicians as artists and to film and television.
Copyright 2021 by Jose Antonio Ponce Photo by Jon Carr
The key to a good performance is planning. Reach out and let us know how we can design and execute a program that will entertain and inform your audience.